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Top Doc: What is fascinating about this book is how the enemies view the Doctor as the villain of the piece and they are just struggling to survive. He is the Rogue Element, he infects everything and everyone he touches making them unpredictable…he needs to be removed from Time like the cancer that he is. It is captivating to see him from the point of view of a desperate race trying to survive.
The truth of the matter is, of course, quite different. The Doctor is tired and fed of living his life on the run (and the last half dozen adventures I can’t say I blame him!) and he wishes there was time to sit and talk and make friends and be happy. He uses wit to cover his deeper emotions and anger. He admits there are such things as happy co-incidences, although he doesn’t trust them. Turns out when the Doctor’s heart withered and blackened it was because the Council of Eight had tried to control him but his heart rejected their control. He is reunited with his daughter here and is not afraid to show his intimacy with her in front of other people. There share an extremely tender moment where he tells her he loves her and she makes him promise that he will not let them use her against him when it comes to the fate of the universe or her daughter. Poignantly, the Doctor just holds her and cries. He grows homicidally angry when she is threatened (“Harm her in the slightest you’ll be the one screaming forever!”/ “If you harm her in the slightest I will surely kill you.”) and tries to deal with her death internally (considering there is so much going on…the death of history and all that) but cannot manage (“You killed my daughter…for nothing!”). His relationship with Sabbath is hilarious; especially now Sabbath is humbled and apologetic although the Doctor seems to have some genuine affection for him, trying to talk him out of killing himself. Even better is his chat with the Master at the story’s close, where he tiredly admits to saving the universe again but is sick of the cost involved.
Scruffy Git: Resident thicko whose talent for the stating the obvious borders on genius. It’s an annoying habit brought about by his inability to grasp the basic principles. After all this time, he still cannot predict the Doctor’s actions. A real pro, according to himself. Hilariously he attempts to gatecrash a party Trix has organised! When time freezes he invents his own time technology…a scrunched up hankie…which he throws ahead of himself to see if time is frozen there (you’ve gotta love him haven’t you?). He thrives on danger, he admits, whilst trying to duck out of joining the Doctor in entering the villain’s lair. He admits it was a mistake leaving the Doctor alone for a century and dreads to think what he got up to in that time (I’ll lend him the Caught on Earth arc!). Fitz is the proof that not everything alive has a purpose.
Identity Tricks: Once again Trix is extremely resourceful, successfully infiltrating the Middle Ages to discover the source of the emission. Her scenes with the Princes in the Tower are very necessary, not only because it is the first time we have seen Trix selflessly trying to make somebody feel better, but it winds up saving their lives in the climax when Octan attempts to arm them and tells them to kill her and the Doctor. Sweetly, she is honest with them and admits that happy ever after doesn’t exist and that their Uncle was killed. She admits in a quiet moment that she is concerned about her mother. During a particularly dangerous moment the Doctor has to bribe her to risk her life for others! Cruelly she gives Fleetward Anji’s name, as a friend for the boys he is adopting.
Ham Fists: What strikes me most about Sabbath’s final story is how much am going to miss him. He has become part of the furniture with the EDAs and there will be a noticeable absence with his departure. At his best (Adventuress, Anachrophobia, History 101, Camera Obscura, The Last Resort, Timeless…) he was a fascinaitng creation and a worthy foe of the Doctor’s.
He is described as the opposite to the Doctor, ultimately predictable. Every moment of his treachery is mapped out. He admits he doesn’t actually want to kill the Doctor. He has grown fond of the guy and had developed a respect for his abilities and talents and is prepared to tolerate his associates. To this end he shoots the Time Agent and saves their lives. He believed everything he has been doing has been for the best. He has been flattered and played to, lied and betrayed by the Council of Eight. He is self assured and confident in his own abilities. Octan tells him he has been gloriously irrelevant, just there to keep the Doctor on the sidelines. We soon realise this is to anger the chap and force him into a decision that could mean the end of all history. Its delightful that it all comes down to Sabbath, that his very survival is proof of his destiny (because, brilliantly, Octan only sends the Time Agent to save Sabbath from his initiation under the Thames at the end of Sometime Never…!) and that the fate of the universe is in his hands. Laughing at foxing their plans and negating their existence, Sabbath puts the gun to his head and blows his brains out. It’s a memorable end for a memorable character.
Foreboding: Miranda’s death has ramifications in the next book (Halflife). The Master is still stored in the TARDIS (The Gallifrey Chronicles). The Daleks are watching the Doctor’s adventures in the vortex (The Gallifrey Chronicles).
Twists: Lets start with the cover, which is excellent, one of the best the range has ever offered. The crystals that were spread throughout all time (in Timeless) were transmitters (thanks Fitz), transmitting to a structure within the Vortex (and again Fitz). Inside are the Council of Eight, a race made of crystal who mapping out every moment in history. They admit to have driven out the clock monsters from the Vortex (Anachrophobia). The clever plotting is immediately apparent with new emissions starting up and swamping all the other data (2004 being the exact sum of these emissions put together, building up over several years). Which turns out to be a parts of a skeleton, scattered over the world, which the Doctor and Professor Fleetward start assembling over years (and complete for display in 2004).
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Funny bits: Taking the piss out of Fitz in the TARDIS is gigglesome, he’s so dense he doesn’t realise they are doing it. Fitz attempting to infiltrate the part as Horatio Sponge when he could just have said Fitz Kreiner is hilarious. Trix’s attempts to flirt and manipulative the stupid and burping Lord Scrote raised a laugh. Sam dies, what a pity, well I laughed…what’s more everyone else is returned to life here but The Gallifrey Chronicles reveals…Sam is still dead! Ha bloody ha! After Sabbath’s impassioned speech the Doctor turns on him and says, “That’s a very long winded way of saying you were right and I was wrong.”
Embarrassing bits: No it isn’t the Daleks who were behind everything and yes it is disappointing but thank the Nation Estate for that. The destruction of the Universe is depicted here and it is a shockingly anti climatic event (although that is supposed to be the point!). Just opening a door…not sure if that is an especially satisfying way of restoring the multiverse to life…not after all the hell we’ve been through with it already. But the idea of the Doctor (the first Doctor at that) restoring chaos to the universe is just amazing. Miranda’s appearance is striking but she is totally wasted (in every way!)
Result: Just because its written by Justin Richards that doesn’t make it a bad thing and whilst the grand baddies who have been plaguing the universe these few years or so are revealed to be a bunch of old crystal men who are hardly thrill a minute, that is perhaps the only major disappointment in this otherwise brilliantly climatic novel. It is perhaps the best-plotted Doctor Who book I have ever read, re-reading it proves how not a scene is wasted, every moment is vital to the overall story. The settings here might be small scale but the amount of Doctor Who fiction this encompasses is extraordinary, dragging in plot points from years back (and PDAs too) and turning the entire range into a cohesive whole. The ideas are mind blowing and the revelations in the last third reward the reader for being so patient with this arc and the range(s) in general. Sabbath gets the exit he fully deserves, the Doctor doesn’t escape scott free and there is a real surprise waiting in the last scene (which could potentially annoy but I found it charming). The prose and characterisation is not the best the EDAs can offer (both were better in Emotional Chemistry) but I am willing skip over them because this book got me so damn excited and involved. As a lover of deconstructing narrative, the way everything falls into place is quite, quite stunning: 9/10
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